2018 Dallas Observer Music Awards Showcase

2018 Dallas Observer Music Awards Showcase

Hoaries, Frankie Leonie, Becky Middleton, Sealion, Buffalo Black, Royal Sons, Cure for Paranoia

Sat, December 1, 2018

Doors: 7:00 pm / Show: 7:00 pm

This event is all ages

2018 Dallas Observer Music Awards Showcase
2018 Dallas Observer Music Awards Showcase
Hoaries
Hoaries
American noise rock / post-punk band from Texas.
Sealion
Sealion
Art punk from Dallas, TX.

If Jean Michel Basquiat beat the shit out of Norman Rockwell we would be the blood on his knuckles.
Buffalo Black
Buffalo Black
Jmil Kly aka Buffalo Black represents a new breed of Artistry out of Dallas, Texas. Given light and breath on May 2nd, he was raised in Dallas with the perspective of an observer, eager to stake a claim in the world. Also a Philosophy Student at the University of North Texas, music became an important avenue of creativity in his life in early 2009. During then, he began crafting himself for his debut mixtape, "Flomogenic", later released in May of 2010. After that followed preparation for his debut EP, "NEOTokyo", which carried apocalyptic themes and concepts derived from Anime Films such as, "Akira". Afterwards, a creative void and personal conflict compelled him to develop the concept for his next EP, "The Boy King", which inherited sounds influenced by several artists such as Hans Zimmer, Alpha, Brian Eno, Kanye West and Flying Lotus. In late 2011 he was honored as one of the top 10 Best Local Hip Hop Acts in the Dallas Area by the Dallas Observer. He now turns his aims towards developing himself as a producer and rapper under the moniker of "Buffalo Black" in association with "Jmil Kly", discovering himself and uncovering new forms of visual/sound manifestations along the way. - See more at: http://bfloblack.com/about-me/#sthash.hbPkMmWB.dpuf
Cure for Paranoia
Cure for Paranoia
Cure for Paranoia started with friends making music on a road trip. They were looking for doomsday shelter in a half-serious attempt to protect themselves from a comet rumored to be on a collision course with the earth. From there, they quickly started recording music everyday and performing live every night. By all accounts, Cure for Paranoia is one of the best groups to emerge out of Dallas in recent memory.

Like a commune or tribe, four musicians live under one roof in Oak Cliff and all they do is make music. In every way, Cure for Paranoia start their own group instead of joining someone else’s and the results are impressive. Some believe that bands should worry about oversaturation with live shows. But by demonstrating talent and dedication night after night, Cure for Paranoia quickly earned the respect of virtually every promoter, venue owner, and artistic director in North Texas’ music mecca, Deep Ellum—ask any of them.

Cameron McCloud is a hip-hop artist who looks like a ’60s rock star. Rapping with a thousand-yard stare and couture reminiscent of Bob Dylan, Jimi Hendrix, or even Tom Waits, McCloud has a presence that is somehow both unapproachably intense and magnetic. His delivery is hyper and unpredictable. McCloud also has a fan in Erykah Badu. Backstage at The Bomb Factory in October, he approached the Queen of Neo-Soul and freestyled a verse for her in front of a
very large group of people. Naturally, it was caught on video and tens of thousands of people watched it online.

In February, Cure for Paranoia appeared at Badu’s sold-out birthday show at the Bomb Factory in front of a crowd of over 4,000. A month later, they returned to the venue for another sold-out show opening for Ludacris. Cure for Paranoia are a group of people addicted to music, and this is an infectious energy captured in their live shows and recordings. Stanley Francisko’s vocals bring an invaluable spirituality and pop sensibility to the group. JayAnalog and Tomahawk Jonez, also known as The Institute, compose and record all songs and provide live production during performances.

This is a wicked fusion of hip-hop, rock, pop, funk, and R&B built with an organic approach. Songs are figured out in equal parts while they are written, recorded, and performed live. It is not unusual for Cure of Paranoia to write a song in the afternoon, test it out in front of a crowd that night, and get back to work on it the next day.

Almost any night of the week, Cure for Paranoia can be seen performing live in Deep Ellum. They are featured on bills or showing up for weekly residencies at places like Drugstore Cowboy, High & Tight Barbershop, and one of the best places to hear live music from up-and- coming acts in the neighborhood, Three Links. On nights off, it is not unusual for Cure for Paranoia to perform on the street. It’s a surprisingly effective way to make new fans and spread the word about the next
show. They even met Grammy Award-winning producer Jah Born during one of these street performances and started collaborating with him.

“Normal Person” is a showcase of harmony, heavy beats, flawless production, wild mood swings, and musicality. A virtuosic mix of music genres is the perfect backdrop for the battle between McCloud’s steely enunciations as a rapper and the good vibes of Francisko’s vocals. McCloud is raw, Francisko could be a pop star, and they find common ground to make the most of their differences.

Through collaboration, audience interaction, and countless remixes, Cure for Paranoia is perfecting a self-titled album planned for a vinyl record release. In the meantime, you can hear these songs unfolding live. No two performances are the same and, as “Normal Person” demonstrates, Cure for Paranoia meticulously agonizes over songs until they have something special.
Venue Information:
Trees
2709 Elm Street
Dallas, TX, 75226
http://treesdallas.com/