Amorphis and Dark Tranquility
Moonspell, Omnium Gatherum
Mon, October 1, 2018
Doors: 7:00 pm / Show: 8:00 pmTrees
$28.00 - $81.00
This event is all ageshttps://www.treesdallas.com/event/1639097/
In the early stages of their career, Amorphis consisted of Tomi Koivusaari (guitarist and original vocalist), Esa Holopainen (guitars), Olli-Pekka Laine (bass), and Jan Rechberger (drums). Together they greatly affected the metal underground, gained recognition and soon scored a multi-album contract with Relapse Records. Shortly after, Amorphis released their debut album, "The Karelian Isthmus". Receiving an impressive response, the band chose to venture further into melodic terrain, adding progressive keyboard sounds here and clean guest vocals (performed by Ville Tuomi of Kyyria) there. The result was the classic "Tales From The Thousand Lakes", which to this day is considered to be one of the most groundbreaking albums in the doom/death genre. For the first time incorporating lyrics from the Finnish national epic, the Kalevala, the album also was the first true manifestation of the influential Amorphis sound: a seamless combination of intoxicating melodies and aggressive sounds delivered with both clean and harsh vocals.
The success of "Tales From The Thousand Lakes" provided Amorphis with the opportunity to tour the European continent several times, and followed by their first US tour in late 1994. Shortly thereafter, the band underwent some major musical and line-up changes. Continuing to feature lyrics based on traditional Finnish folk poetry, the third album "Elegy" introduced a new vocalist, Pasi Koskinen. This adjustment proclaimed a significant transformation in Amorphis' career. Pasi's unique vocals brought a new setting to the music, which now concentrated more on compelling keyboard atmospheres, psychedelic guitar sounds and a distinctive arrangement of the vocals, delivered by both Tomi and Pasi. Encouraged by popular and critical approval, the band members took three years to prepare their next album, honing the newfound style to perfection. "Tuonela" was liberally sprinkled with 1970s-style psychedelic touches and marked another great leap ahead for Amorphis, and its successor, "Am Universum" delved even further into progressive soundscapes.
In 2003, Amorphis released "Far From The Sun". While closer to the band's metal roots than the previous longplayer, the album was again very relaxed and melodic as ever, spiced with Far Eastern touches as well as progressive elements in the vein of Pink Floyd. In the late summer of 2004, long-time singer Pasi Koskinen left the band, and Tomi Joutsen (Sinisthra) joined around the end of the year. With a new singer and new energy, the band recorded "Eclipse", an acclaimed masterpiece that combined the best-loved elements of Amorphis' unique sound with fresh vigour. The album went straight to the top of the Finnish charts and was followed by triumphant live appearances all over Europe before the band retreated again to the recording studio.
"Eclipse" was followed by "Silent Waters" in the late summer of 2007. The dynamic and emotional range of the new songs, all of which were based on a single episode from the Kalevala, went beyond any of Amorphis' earlier albums, yet at the same time hearkened back to the band's past output in all its diversity. The release of the new album was preceded by a string of festival appearances - including Germany's famous Wacken Open Air - and immediately followed by a five-week Finnish tour. The remainder of 2007 found Amorphis in Europe, Russia and Japan, whereas in 2008 they played in southeastern Europe, at a multitude of festivals and, during the fall, in the USA and Canada.
The new album "Skyforger" shares the lyrical concept of the two previous albums, its central character being Kalevala blacksmith Ilmarinen. Musically, the band soars to unprecedented heights; not abandoning the cherished ingredients of their sound but rather refining them, augmenting them with fresh elements, and delivering them with breathtaking passion and intensity. Both the album and the single "Silver Bride" went straight to number one in the Finnish charts, and the live qualities of the new songs were immediately tested and proven on the summer's festival stages. In September, Amorphis went on their first-ever tour of Latin America, followed by the extensive Forging Europe Tour in the fall. In the summer of 2010, the band presented its first-ever live DVD, which includes two full shows recorded in 2009 as well as a career-spanning documentary. The release coincided with the 20th anniversary of Amorphis, which in addition was honored by a compilation of re-recorded classic tracks, released in September 2010.
Nostalgia, however, is not what this band is about. Granted, The Beginning Of Times (2011) showcases their trademark style in perfection, including plenty of reference to the death metal days, yet at the same time it proves that Amorphis have lost none of their progressive edge and experimental spirit. Doing honor to protagonist Väinämöinen, the Kalevala‘s central character whom myth credits for bringing music into the world, the band brought forth its most versatile and nuanced effort to date; in terms of performance and arrangements as well as rythms and sounds. Iikka Kahri, whose flute and saxophone already graced several songs on Skyforger, was back in the fold, Tomi Koivusaari added a few discreet touches of pedal steel guitar and Santeri balanced the 1970s prog and 1990s death elements with a synth vocabulary straight out of the eighties. More noticeable still was the addition of Netta Dahlberg’s backing vocals, which beautifully complement Tomi Joutsen’s lead - most poignantly on “Mermaid” and “Soothsayer” but also, for example, on the single You I Need. Besides another number one in Finland, The Beginning Of Times also earned Amorphis their first-ever Top 20 rating in Germany.
At the outset of the third decade, Amorphis continue their musical journey creative as ever – not confined to any predetermined shape, yet always instantly recognizable, always true to their own vision, and always unique.
On August 21, 2012, Amorphis announced on their website that a new album was in the works. On January 17, 2013, the band announced the title and release date for their next record. Circle was released on April 19 in Europe and April 30th in North America. On September 16, 2013, Circle won Metal Hammer´s “The Album of The Year” award. Esa Holopainen on the award, "For us, Album of the Year award is a great recognition for the work done so far. Especially when we got it from our 11th studioalbum."
On August 4, 2014, Amorphis announced on their website and through social media that they would be playing a number of special Tales from the Thousand Lakes 20th Anniversary shows where their 1994 album would be performed in its entirety. Tales from the Thousand Lakes 20th Anniversary shows included festivals such as Wacken Open Air, Maryland Deathfest, and 70000 Tons of Metal with many other tour dates and festivals included.
The band began demoing new songs at the start of 2015, and in 4 March of that same year, it was announced that Amorphis will begin to record a new in album in April 2015, at Fascination Street Studio, Örebro, Sweden with Jens Bogren.
The lyrics will be written once again by Pekka Kainulainen, who says "Like 'Kalevala', they are descriptions of natural phenomena, seasons and the human mind. Reoccuring situations where hope and uncertainty alternate. Attempting to gain advice from higher powers. The poems do not form a complete story per se, but they are drawn together by a certain theme. We live under a red cloud and once again, time weighs us."
The release of the new album will be followed by a world tour, starting with shows in the band's home country of Finland, then other parts of Europe with Nightwish & Arch Enemy in November 2015.
In 15 June 2015, it was announced that the title for the twelfth studio full-length album is Under The Red Cloud, with the artwork and tracklist revealed and with a worldwide release date of 4 September 2015 by Nuclear Blast Records.
During their 13 years of existence, Dark tranquillity have always tried to constantly expand their musical borders and stray away from already-conquered territory, and "Damage Done" is certainly no exception to their own artistic goal, being a truly diverse affair showcasing a host of new approaches and inspirational sources. Compared to the electronically-tinged approach of "Haven" (2000) or the laid-back, lush melancholia of the (Swedish) Grammy-nominated entity "Projector" (1999), "Damage Done" is more technical and intense in feel; a direct and solid sound, yet with lots of complex arrangements and sonic structures emerging from below the surface. While not by any means being a sheepish "back to the roots" album, some of the aggressive aesthetics present in Dark tranquillity's earlier work have resurfaced, giving birth to some faster passages, pounding and inherently catchy throughout. From the relentless thrash-o-rama of opener "Final Resistance" to the sombre closing tones of "Ex Nihilo" (the first instrumental in the band's history), "Damage Done" runs the full gamut and showcases a hungry and confident band that presents absolutely no signs of musical exhaustion or willingness to descend from their position as a leading creative force in the metal scene.
Recorded with long term producer Fredrik Nordström at Gothenburg's famous Studio Fredman facilities, the masterfully written and flawlessly executed eleven new creations on "Damage Done" are determined to fully please the passionate melodic Death Metal following as well as bringing new listeners into the very unique and charismatic sound of Dark tranquillity. Watch out for the band to embark on a massive string of tours following the release of this masterpiece of a new album: The damage is done, my friends!
After a couple of years of making a name in the underground, they finally got into a bigger crowd with the release of Wolfheart, via Century Media, in 1995.
The band started touring intensively, and in 1996 they released their breakthrough LP Irreligious which brought the Portuguese band to the forefront of Gothic Metal.
Since then Moonspell has put out nine solid studio releases. Their last album Extinct was number #1 in Portugal and a chartbreaker in many countries, and they have succeeded in celebrating their 25th anniversary on the road, a bit everywhere in the world.
Moonspell will release their new album (a concept about Lisbon’s Great Earthquake) via Napalm Records on the 3rd of November. Is their first album totally sung in Portuguese, their native language. Also the DVD Lisboa Under the Spell, recorded live at Portugal’s capital, is seeing the light of the day in the Summer of 2018.
They have announced an Iberian tour for the new album in November 2017 already, and a support tour for Cradle of Filth, starting in January 2018, throughout all of Europe.
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