Summer Cannibals, Campdogzz
Mon, February 11, 2019
Doors: 7:00 pm / Show: 8:00 pmTrees
$14.50 - $20.00
This event is all ageshttp://www.treesdallas.com/event/1758148/
Cursive has naturally developed a pattern of releasing new music every three years, creating records not out of obligation, but need, with the mindset that each record could potentially be their last. 2015 came and went, however, and the band remained silent for their longest period to date. But the members of Cursive have remained busy with solo records, a movie (the Kasher-penned and directed No Resolution), and running businesses (the band collectively owns and operates hometown Omaha’s mainstay bar/venue, O’Leaver’s). The band even launched their own label, 15 Passenger, through which they’re steadily reissuing their remastered back catalogue, as well as new albums by Kasher, Campdogzz, and David Bazan and Sean Lane. And like many others, the band members have been caught up in the inescapable state of confusion and instability that plagues their home country, and seems to grow more chaotic with each passing day.
Which brings us to 2018 and Vitriola. For the first time since Happy Hollow, the album reunites Kasher, guitarist/singer Ted Stevens and bassist Matt Maginn with founding drummer Clint Schnase, as well as co-producer Mike Mogis (Bright Eyes, M. Ward, Jenny Lewis) at ARC Studios in Omaha. They’re joined by Patrick Newbery on keys (who’s been a full-time member for years) and touring mainstay Megan Siebe on cello. Schnase and Maginn are in rare form, picking up right where they left off with a rhythmic lockstep of viscera-vibrating bass and toms, providing a foundation for Kasher and Stevens’ intertwining guitars and Newbery and Siebe’s cinematic flourishes. The album runs the sonic gamut between rich, resonant melodicism, Hitchcockian anxiety, and explosive catharsis -- and no Cursive album would be complete without scream-along melodies and lyrics that, upon reflection, make for unlikely anthems.
There’s a palpable unease that wells beneath Vitriola’s simmering requiems and fist-shakers. Fiery opener “Free To Be or Not To Be You and Me” reflects the album’s core: a search for meaning that keeps coming up empty, and finding the will to keep going despite the fear of a dark future. The album directs frustration and anger at not only modern society and the universe at large, but also inward towards ourselves. On “Under the Rainbow,” disquiet boils into rage that indicts the complacency of the privileged classes; “Ghost Writer” has a catchy pulse that belies Kasher chastising himself for writing about writing; and “Noble Soldier/Dystopian Lament” is a haunting look at potential societal collapse that provides little in the way of hope but balances beauty and horror on the head of a pin.
Vitriola raises a stark question: is this it? Is everything simply broken, leaving us hopeless and nihilistic? Maybe not. There can be reassurance in commiseration, and the album is deeply relatable: Cursive may not be offering the answers, but there is hope in knowing you're not alone in the chaos.
It seemed only logical that when the band decided to sign to a label, they chose Kill Rock Stars, which has a long history of putting out fearless, female-led bands like Bikini Kill and Sleater-Kinney. Their most recent release, Full Of It, is the band’s defining statement to date. Recorded with producer Chris Woodhouse (Thee Oh Sees, Wild Flag), the LP is one of those massive leaps forward that every band hopes to achieve at least once in their career. Aided by rhythm guitarist Marc Swart, drummer Devon Shirley and bassist Jenny Logan, the 11 songs spark that perfect mix of snotty attitude, unbounded energy, and window rattling volume.
Since the band's formation they've had the opportunity to play with some their musical heroes, including: Guided By Voices, Mudhoney, Stephen Malkmus and the Jicks, and The War on Drugs. They've toured the country with The Thermals and CHVRCHES as well as played some major festivals including Sasquatch, Project Pabst and Riot Fest.
Campdogzz have earned a devoted following in Chicago and the midwest, with a lineup that has solidified into a potent live band featuring Jess Price (lead vocals, guitar and keyboard); Mike Russell (guitar and backup vocals); Nick Enderle (guitar); Mahmoud Haygood (bass); and Matt Evert (drums). In addition to their own headlining shows and tours (until recently conveyed by a school bus rigged for self-sufficient touring and camping; if you don’t know where to get the best falafel in every American city, you are definitely not a Campdog), the band has opened for Big Thief, Sam Evian, Ohmme, Tim Kasher and others. They were recently seen in the first season of the Netflix series, “Easy,” recorded a popular Audiotree live video session, and self-released “Riders in the Hills of Dying Heaven” in 2015. That early recording has been streamed nearly 2 million times. Now, Campdogzz are poised to come aggravate your blues, bang your head, and remind you where you are on the long road away from home.
2709 Elm Street
Dallas, TX, 75226