As I Lay Dying
Within The Ruins, Kingdom Of Giants
Tue, November 6, 2018
Doors: 7:00 pm / Show: 8:00 pmTrees
This event is all ageshttp://www.treesdallas.com/event/1742511/
Within The Ruins wasted no time in crafting a new career-defining landmark, Phenomena. The band’s new album is the next step forward from Elite, further jettisoning all but the best components of the oft-maligned “deathcore” genre to reveal a band whose all out assault of heaviness won’t be confined by genre. The band shreds with the best of them of course, maintaining a place next to Between The Buried And Me and The Faceless, but the new album is even more about songs than scales.
Phenomena maintains an emphasis on showmanship with ever increasing diversity, smartly sidestepping predictable structures and contrived breakdowns. Within The Ruins are exploring the type of sonic textures and esoteric territory explored by Gojira. In some spots, a more nuanced vocal assault creeps in, with powerful might.
Album kickoff “Gods Amongst Men” boasts a clearly defined chorus, the first of its kind to truly emerge. Fans of the slower, sludgy groove of “Feeding Frenzy” are sure to dig “The Other.” The dissonant guitars and evocative synthesizers of “Calling Card” would seem out of place in their earlier work, but on Phenomena, it’s just part of the rich tapestry.
“When we released our last album, we felt like we had finally found what we were wanting to do since we started the band,” explains cofounder Joe Cocchi, who proved his guitar shredding prowess, alongside his fellow cofounder appropriately nicknamed “Drummer,” with early rumblings like Omen. All Music likened the eclectic shred of Creatures to Metallica’s landmark Master of Puppets, but played “twice as fast.”
Vocalist Tim Goergen sounds as savage as ever, with a renewed focus on memorability and catchiness to his phrasing. Bassist Andrew Tate is as fluid and tasteful as before, keeping pace with this bandmates while offering his own twists and turns along the way.
“We’ve been known for technical, faster metal. But it’s the type of stuff that’s tough for someone to listen to if they’re not into a very, very specific subgenre,” says Cocchi. “The challenge we gave ourselves with Phenomena was to come up with something even better in a shorter amount of time, to really take advantage of the momentum.”
Elite established Massachusetts’ finest as frontrunners in the world of extreme metal, putting the hardworking group on the Billboard 200 and doubling the first week sales of their previous record, Invade (2010). Within The Ruins were once voted onto Summer Slaughter. Now they return, three years later, victorious, joining a 2014 lineup topped by death metal legends Morbid Angel. This is all hot on the heels of a tour with Whitechapel and a triumphant New England Metal and Hardcore Festival homecoming.
Born and bred in the same heavy metal rich Northeast soil as New Wave Of American Heavy Metal progenitors Killswitch Engage, All That Remains, Unearth and Shadows Fall and weaned on the dark sounds of classic death metal, the technical melodicism of Scandinavia and the precision staccato crunch of Meshuggah, Within The Ruins have busted their collective ass to carve out a unique identity for themselves from those ingredients and have succeeded like never before with this year’s Phenomena.
“There continue to be tons of new fans for us to make,” declares Cocchi. “There’s a ton of people who haven’t heard of us. One common thing to overcome in this genre is that people move on too quickly. We are still trying to progress and trying to bring something new to the table with every album. I believe that can always be done, even if it doesn’t always happen with every band. Hopefully people can see that with us.”
The fans wholeheartedly embraced Elite. Considering how much Phenomena takes Within The Ruins’ music to the next level, there’s no limit to how far this band can go.
In a genre / age where recording quality is at an all time best, Kingdom Of Giants excel in translating this quality to a high energy, organic, live experience. The band is composed of Dana Willax (Vocalist), Max Bremer (Guitarist), Red Martin (Guitarist), Julian Perez (Guitarist), Levi Norris (Bassist), and Truman Berlin (Drummer).
The band does a great job of keeping their albums interesting from start to finish. Each song sounds much different than the previous, but they are able to capture one overall feeling of cohesiveness throughout. Songs like the title track, "Ground Culture" or "Endure" seem to portray what the band is all about, while others like, "Sky Burial" and "Virtue" show just how dynamic their sound really is.
"It would indeed be a shame for the group to fade into the sea of mediocre crap that other bands are more than content to thrive in, because it's blatantly obvious that Kingdom Of Giants refuse to be ignored and will be heard. This resilience literally dripped off their last full length and was pervasive and infective, a pure "soundtrack to a revolution."" -Sputnik Music
"If you listen to the lyrical content of each track, you can easily spot a continuous theme throughout the record. The lyrics tackle questioning religious faith, understanding our own mortality, and dealing with the loss of family members. I think these themes are easily relatable, especially for our generation, which is one of the least religious generations ever. The desire to achieve more in life is something we can all understand" -Under The Gun Reviews
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