Battle Beast, Leaves Eyes
Tue, May 16, 2017
Doors: 7:00 pm / Show: 8:00 pmTrees
This event is all ageshttp://www.treesdallas.com/event/1345777/
In 2001 the band was ready to record more material, and this time they turned to Tommy Tägtgren who were to play a part in the creation of the Sabaton sound, and together they recorded the second half of the bands demo compilation "Fist For Fight" that was released by Underground Symphony later that year.
When 2002 arrived the band returned to Abyss studios and Tommy Tägtgren to record the debut album "Metalizer" that was to be released later that year, but didn't end up in the record stores until 5 years later.
In 2004, after countless hours of rehearsals and dozens of shows the band got tired of waiting for the release of "Metalizer" that never came and decided to take matters into their own hands.
Primo Victoria – The Battle Begins
Without the support of a record label Sabaton returned to Abyss studios and Tommy Tägtgren and recorded the album "Primo Victoria" which loosely translated means: The first victory, or: The beginning of the victory.
A fitting name, considering it represents a new beginning for the band and also marks the start of the typical war themed Sabaton lyrics.
The band signed up with the label Black Lodge later that year and in 2005 "Primo Victoria" was released
In early 2005, just before the album was released, Daniel Myhr was recruited into the band to relieve Joakim of his keyboard duties and the band was now complete.
This year saw the first Sabaton show outside of Sweden and there were many more just around the corner.
In January 2006 the band headed back into the studio for 3 weeks of intensive recording sessions with Tommy Tägtgren and recorded the album "Attero Dominatus" just before heading out on Sabaton's first major European tour as supporting act for Edguy and Dragonforce.
Attero Dominatus – The Battle Rages On
Fueled by its ever-growing fame, the combo soon caught the attention of Nuclear Blast which resulted in a record deal and the worldwide release of the highly acclaimed debut album “Steel” in January of 2012. Subsequently, BATTLE BEAST continued their triumphal march by touring together with NIGHTWISH for a total of 21 shows all across Europe, persistently extending their fan base through their tremendous on-stage energy and joy of playing. When former lead singer Nitte Valo quit the band in September 2012, BATTLE BEAST immediately got the chance to showcase new vocalist Noora Louhimo’s amazing skills live on tour with SONATA ARCTICA – over the course of 22 shows in 11 different countries, the renewed line-up proved that it was as strong, wild and hungry as ever!
After busy months of recording, producing and mixing in JKB Studios Helsinki (all of this done by the band members themselves) BATTLE BEAST’s eponymous sophomore release “Battle Beast” will strike the scene like a lightning on May 17, 2013, consisting of the Finns’ trademark mixture of extremely catchy choruses, epic heavy metal anthems, heavenly vocals and solos to die for - brought to a new level of intensity and sound quality. With new astonishing lead vocalist Noora on board and a record in their hands that literally is strong as “steel“, BATTLE BEAST are facing a future brighter than a thousand suns. Beware: The Beasts are back!!!
Liv Kristine Espenæs Krull - Vocals / Mathias Röderer - Guitar / Thorsten Bauer - Guitar / Chris Lukhaup - Bass / Moritz Neuner - Drums & Percussion / Alexander Krull - Vocals, Programming
World history set to music, seasoned with legends, love and passion -- no less could be said about the second Leaves' Eyes album Vinland Saga. Vocalist Liv Kristine and Co. (a.k.a Atrocity) embark on a mystic journey. Leif Erikson's legendary voyage to Greenland in 1000 A.D., which consequently ended in America according most historians, is depicted by Leaves' Eyes through atmospheric Metal, Rock and sensual ballads. It is a story marked by powerful riffs, melody and string arrangements, which represent a colorful bandwidth of musical styles, truly adequate to the very concept of the album itself and never concealing the Nordic origins of the singer. "I found my inspiration for many of the pieces in the Norwegian art and folk music, as well as in Celtic melodies," explains Liv Kristine. She knew from the very beginning that a special approach was needed for such an ambitious musical enterprise: "I absolutely wanted to work with actual classical instruments for Vinland Saga to do this great story justice."
Classic rock compositions ensnared in strings and kettledrums, loving flowing harmonies, and hammering m
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